Kialara Signature Series - Ricky Allman ‘Excavatorelevator 1’: Difference between revisions

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The Kialara Signature Series is a collaboration between Kialara and several artists.
The Kialara Signature Series is a collaboration between Kialara and several artists.


This piece contains artwork from Julia Tourianski printed on giclee print on museum quality archival card stock, polished stainless steel enclosure, tempered glass, one troy ounce of .999 fine silver, tamper-evident hologram, display easel, T5 torx screwdriver
This piece contains artwork from Ricky Allman printed on museum quality archival card stock, polished stainless steel enclosure, tempered glass, one troy ounce of .999 fine silver, tamper-evident hologram, display easel, T5 torx screwdriver


signed: Julia Tourianski and dated: 2015
signed: Ricky Allman and dated: 2015


Non-denominated. Public & private keys are intended to be created and loaded by the owner. Guide here
Non-denominated. Public & private keys are intended to be created and loaded by the owner.
----“Tourianski took a much different approach to the project, basing her work on Théodore Géricault’s ‘The Raft of the Medusa‘. Her painting shows a variety of colorful animals on a raft, each representing a different characteristic of the Bitcoin ecosystem.”
----Statement from the artist: <blockquote>“Mining is at the crossroads of the natural world and the built environment. Mines are where we source all of our raw materials for everything humans have built on this planet. Digital mining is at a new crossroads with unknown possibilities. I think mining is an excellent metaphor for generating alternative economies and one that can help us make sense of more abstract algorithms and networks. As the world becomes increasingly complex and difficult to understand, it is critical that we plan for and design the future we want. I am interested in a future of self-replicating and evolving architecture that mines it’s own materials and disposes of it’s own waste. Visualizing possibilities gives us ideas that we can combine, embrace or reject, helping guide the development of future societies.</blockquote>
 
<nowiki>https://blog.coincafe.com/2015/12/23/kialara/</nowiki>
* Platypus (unexpected)
* Bat (unprecedented)
* Giant Squid (doubted)
* Rats (global)
* Snow Leopard (hunted)
* Bear (prodigious)
* Hyena (stands up to the king)
* Wolf (misunderstood)
* Dingo (competitive)
* Bull (controversial)
* Albatross (ambitious)
* Lobster (potentially immortal)
* Rhino (uncertainty)
 
== Images ==
<gallery>
File:Kialara Signature Series Current assembled.jpg
File:Kialara Signature Series Current front back.jpg
File:Kialara Signature Series Current disassembled.jpg
</gallery>
[[Category:Kialara]]
[[Category:Kialara]]


[[Category:Releases]]
[[Category:Releases]]

Revision as of 00:43, 14 April 2017

Kialara Signature Series Excavatorelevator 1 Front.jpg
Maker Kialara
Material Stainless Steel, Glass, Silver
Quantity 500
Size 3.6″ x 2.2″ x 0.3″
Weight 7.7 oz
Denomination N/a
Funded No
DIY Yes

The Kialara Signature Series is a collaboration between Kialara and several artists.

This piece contains artwork from Ricky Allman printed on museum quality archival card stock, polished stainless steel enclosure, tempered glass, one troy ounce of .999 fine silver, tamper-evident hologram, display easel, T5 torx screwdriver

signed: Ricky Allman and dated: 2015

Non-denominated. Public & private keys are intended to be created and loaded by the owner.


Statement from the artist: 

“Mining is at the crossroads of the natural world and the built environment. Mines are where we source all of our raw materials for everything humans have built on this planet. Digital mining is at a new crossroads with unknown possibilities. I think mining is an excellent metaphor for generating alternative economies and one that can help us make sense of more abstract algorithms and networks. As the world becomes increasingly complex and difficult to understand, it is critical that we plan for and design the future we want. I am interested in a future of self-replicating and evolving architecture that mines it’s own materials and disposes of it’s own waste. Visualizing possibilities gives us ideas that we can combine, embrace or reject, helping guide the development of future societies.”