Satoshi Graphics Bitcoin - No Gods No Masters: Difference between revisions
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== Images == | == Images == | ||
<gallery> | |||
File:Satoshi Graphics No Masters 50x70 Framed 1024x1024.png | |||
File:Satoshi Graphics No gods 1024x1024.png | |||
File:Satoshi Graphics No Gods Sofa 1024x1024.png | |||
</gallery> | |||
[[Category:SatoshiGraphics]] | [[Category:SatoshiGraphics]] | ||
[[Category:Releases]] | [[Category:Releases]] | ||
Latest revision as of 23:41, 5 October 2017
| Maker | Satoshi Graphics |
|---|---|
| Material | Fine Art Paper
250 g/m² (Matt finish) |
| Quantity | Unknown |
| Size | 50.0 x 70.0 cm
19.685 x 27.559 inches |
| Weight | N/a |
| Funded | No |
| Denomination | N/a |
| DIY | N/a |
Format: Unframed Bitcoin Art Print, Fine Art Paper - 250 g/m² (Matt finish)
Dimensions: 50.0 x 70.0 cm, 19.685 x 27.559 inches
“I think that the Internet is going to be one of the major forces for reducing the role of government. The one thing that’s missing, but that will soon be developed, is a reliable e-cash…”
MIlton Friedman, Nobel-Prize Winning Economist, 1999
Bitcoin was imagined and conceived in radical and deeply ideological opposition to State power. Early advocates of Bitcoin considered themselves crypto-anarchists, a term first coined by engineer-turned-author Tim May in his 1988 ‘The Crypto Anarchist Manifesto.’ The manifesto refers to the personal freedoms that could arise from the widespread adoption of encryption technologies. May saw the potential for increased privacy and individual freedom in the use of encryption, and believed it could be used as a means of liberation against government control.
